Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Installation shot of live event
Video still from documentation of live event
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Porcelain, cobalt, gold lustre and glaze (27cm)
Documentation of live event in Parliament Square, London using porcelain rice bowls to discuss Churchill’s role in the Bengal Famine of 1943
Glazed porcelain, cobalt and gold lustre, rice
Glazed porcelain ceramic badges (5-6cm)
Raw porcelain (5cm)
Raw porcelain (5cm)
Digital photograph (20x30cm)
Porcelain, cobalt, gold lustre and glaze (30x20x10cm)
Porcelain, glass, glitter, glycerine, water (8x11cm)
Documentation of a performance with handmade porcelain vase and hundreds of eggshells cast in porcelain (3’ 51”)
Performance piece with handmade porcelain vase and hundreds of eggshells cast in porcelain
Performance piece with handmade porcelain vase and hundreds of eggshells cast in porcelain
Performance piece with handmade porcelain vase and hundreds of eggshells cast in porcelain
Opium poppy heads, sugar, African hardwood, plaster (10x10x60cm)
Rubber, sugar, African hardwood, silver wire, plaster (10x10x60cm)
Copper, sugar, African hardwood, plaster (10x10x60cm)
Copper, sugar, African hardwood, plaster (10x10x60cm)
Rubber, sugar, African hardwood, silver wire, plaster (10x10x60cm)
Antique British Military Jacket as worn by colonial soldiersThis edition of Spilt Scarlet was suspended from a tree in a secluded area of Hampstead Heath – not far from Kenwood House and its infamous links with colonial slavery. Realised as part of the curatorial project Bern69 devised by Nadia Berri (Photo credit: Cristina Pedreira)
Antique British military jacket and cochineal, indigo, turmeric and logwood on canvas
Cast sugar and timber, 150x90cm
Cast sugar and timber, 150x90cm
Raw Rubber – if rubber collectors in Congo Free State did not meet their harvest quotas Belgian King Leopold II's overseers would chop off the hands and feet of workers' children
Cast sugar
Nicknamed the ‘Goldilocks bird’ because its habitat conditions have to be just right in order for it to survive, the Cape Sable Seaside Sparrow is a rare, reclusive and endangered subspecies of seaside sparrow endemic to southern Florida. A combination of global warming and the industrial-scale production of sugar in the US has devastated the birds’ natural habitat. The sparrow’s now protected status is jeopardising an $8 billion flood-prevention project in the Everglades – a huge engineering feat required to correct decades of human folly and environmental mismanagement. Big Sugar is my response to this.
(2018) sugar, ink and vintage ceramic
Sugar cubes and ink
Ceramic and plaster
Ceramic and plaster
Ink on cotton, fabric, pins, 14x14cm
Snowflake: a person known to be opposed to the abolition of slavery, valuing white people over black people.
Commonly found: Missouri, 1860s
Ink on bagasse (sugar cane fibre), fabric, pins, 14x14cm
Whiteness: a fragile specimen; prone to tears and defensiveness if made to feel uncomfortable; likely to aggressively protect its position. Commonly found: areas of former colonial power.
Rubber, silk, gold and indigo on antique map
Mixed media and c-type print, 80x30 cm
Porcelain and ceramic decals
Bagasse and resin
Bagasse and resin 2019
Bagasse and resin
Mixed media, 160x160cm
Commissioned by Art+Christianity for Waltham Forest London Borough of Culture and made in workshops with the community of All Saints Leyton
Sand and lead shot
Ceramic, timber, paint
Leaves and acrylic lacquer
Paper, tape and digital images supplied by the public
240x320 cm installed at All Hallows by the Tower, Byward St, London
PVC and nylon
Timber, lightbulb, sound recording
Feathers, logs
Soil and grass
Gold leaf
Timber, tape and twine
Glass, fish, leaves, water, kitchen sink
Chairs and paint
Colour printed postcards (15x9cm)
'Party at St Paul's' infiltrated the famous cathedral's giftshop with a St Paul's-branded postcard depicting a bunch of party balloons in peace/pride rainbow colours pinned to the large wooden doors of the church. A stock of these postcards was surreptitiously added to the shop's display carousels and then unknowingly sold as souvenirs to unsuspecting tourists. St Paul's had been the site of the Occupy London protest in 2012 that campaigned against corporate greed. This work was my gift to the cathedral, in honour of the Occupy Movement, which was evicted from the churchyard by the City of London Corporation.
Bioresin
Bioresin
Mixed media
Barbed wire
Maps and thread
Bread dough and pins
Bread dough and pins
Latex
Ceramic and acrylic lacquer
Clay
Sugar
Ceramic (2018)
2018, ceramic and acrylic lacquer
2018, ceramic and acrylic lacquer
Ceramic